A few days ago I was sitting together with my Mum in her hotel room and explained how she can upload all her photo treasures past and present to Flickr. A while ago she bought iPhoto for her iPad as a convenient solution that did not require a laptop (which she doesn’t like).
Yesterday Apple have released a new version of iPhoto 2.0 for iOS – and sadly ruined some of the best features the app had to offer.
Let me share with you my official App Store review that I’ve just posted – before it is deleted and deemed “inappropriate”.
Back in 2013 I was trying out the then-new Photoshop CC for 30 days. I wasn’t sure if the upgrade was for me or if I should stick with my trusty copy of Photoshop CS5 (which by the way I own and can use forever and a day, without a monthly license fee… but that’s another matter).
So I’ve installed CC, marvelled at the new look and the 3D tools, made a brush stroke on a new canvas and… what the hell is that?
My stroke was lagging behind by about a second or more until it appeared on the screen. I wasn’t using a complicated brush either, just a bog standard 20 pixel soft edge brush without any Blending Options.
Shocked, perplexed, dissatisfied and smiling to myself, I consulted Google. One user in particular had this problem too, and many more chipped in on a forum thread over at the Adobe Forums and the (now defunct) Photoshop.com. I was glad to hear I was not alone – yet nobody had a solution to this problem.
Yesterday, a lovely representative from the Photoshop Facebook Page got in touch with me and offered help and advice – and ultimately solved my problem. Thanks, Jeff!
Let me share with you what worked for me, perhaps it works for you too.
You can’t buy any of the Adobe Creative Suite products anymore. From now on you can only “license” any of Adobe’s products for a monthly or annual fee. This includes Photoshop, Premiere, Dreamweaver and all the other CS products we know and love. That’s old news.
What isn’t so old is the bitching and bickering from everybody (including myself) about the idea of being “forced” to shill out small regular payments and pay for “access and incremental upgrades”, rather than “invest big” once and own the software.
While this is certainly a departure from the old licensing model, I wonder: is it really worth losing sleep over it? Let’s examine the options and see if perhaps a monthly subscription is actually cheaper than purchasing a product the old fashioned way.
Ever since I’ve seen Sam Taylor-Wood’s 360 degree medium format panorama series (title) I know that sooner or later I had to get my hands on one of those cameras.
At 1 picture per single roll of film, scanning would have been a nightmare – not to mention processing costs. Elton John’s CD cover for “Songs from the West Coast” is a good example of her work with this camera.
Pictures look other worldly, as if they are a never ending panoramic shot. They contain weird distortions that do not come from a fisheye lens. It’s like watching a Cinerama movie like How the West was won: I’m thinking of the end sequence of “modern times”.
It’s a shame that these cameras are so rare and exotic that it’s unlikely mere humans like myself would pick one up to play with. Ever.
Cut to July 2010. Enter Lomopgraphy and their new 35mm version of this beast: The Spinner! At £110 it’s not a toy – it’s a dream come true.