Panorama Shoot-Out, Part 4: Diana (without a gate)

The lovingly recreated Diana+ by Lomography is the ugly duckling in my collection.

However, looks can be deceiving; I’ve had some excellent results with this baby since I bought it last year.In fact, it’s slowly becoming my favourite plastic camera!

Lomography have added some funky bits to the package, like the possibility to shoot 3 different formats: original square images (16 square 4cm), full frame images (aprox. 5.2×5.2cm) and endless panoramas! Pop in a different gate and start shooting.

That means I have to test both options here: images without a gate, making the images look blended into each other on the sides. Or, pop in the Endless Panorama gate, which means that the images have only a little to no gap or overlap between them. Both very attractive options.

First, Diana’s NO-GATE option:

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Not too shabby, is it? This by the way in MTV in Camden.

I’ve taken plenty of them, using some Fuji RMS (pushed by two stops on a very bright day), as well as some on Fuji T64 Tungsten on a rather overcast day. Needless to say, the latter came out RUBBISH – although I pushed them by two stops. T64 is dark, blueish and has limited colour scope. Let’s stay away from anything lower than 100 ASA in the future, shall we?

Bottom line:

I like the ones from the sunny day, although I do see a rather harsh overlap between images.  I’d prefer a more blended look. But then: is that the actual camera, or would more sun get rid of this problem?

All I know, Pink Holga does it beautifully – and Diana (with no gate) doesn’t. Next!

We’ll be back for Diana when we pop in the Endless Panorama gate.

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About Jay Versluis

Jay is a medical miracle known as Super Survivor. He runs two YouTube channels, five websites and several podcast feeds. To see what else he's up to, and to support him on his mission to make the world a better place, check out his Patreon Campaign.

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