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My Holga 135BC Review

by Jay Versluis on July 13, 2009

in Plastic Camera Reviews

Holga 135BC - what's in the box

Holga 135BC - what's in the box

I’ve had my eye on this camera for a while – like every Holga Nut I imagine… who could resist the temptation of another Holga, especially if it’s different to the ones we know and love? Unlike its big brothers, this one takes standard 35mm film and produces 24x36mm negatives – easily processed on the High Street.

I rushed down to the Photographer’s Gallery last week to get the Holga 135BC, and I couldn’t wait to try it out. But before I show you the breathtaking results, here’s what this camera is all about.

There are two versions: the Holga 135 and the Holga 135BC. As I understand it, the only difference is a pink sticker on the BC version, and the fact that BC stands for “black corners”. This one should produce stronger vignetting, while the non-BC version shouldn’t.

Although there are no clues on the package or the manual, it’s fair to assume that this little baby is made by Tokina in Hong Kong, along with the rest of the fabulous Holga family.

What’s in the Box

We have the following ingredients at our disposal:

  • 1x Holga 135BC (nice!)
  • 1x Lens Cap with HOLGA written on it (I think all the new ones have that since 2008/2009)
  • 1x pink box with example photos, a “drawing” of the camera featuring some monkey sticker. Note that the word “Holga” is written in a different font than what’s on the lens cap, the camera and previous boxes (I guess they’re not branding specialists – which makes it more attractive to me)
  • 1x user manual
  • and one of those hand straps that you *can* attach, although nobody in their right mind ever would

The Outside

Plastic. Cheap plastic, that’s what we like. But unlike his bigger brother, this one is really well built. The back doesn’t come off completely (it’s hinged, like on a proper camera). There’s a film counter on the top (just like on a proper camera), and the shutter button is at the top, not next to the side of the lens. Speaking of which, you can screw in a cable release for long exposures.

As for features, they’re almost identical to the 120 version: at the bottom, you’ve got a switch for “normal” and “bulb” settings, so double-exposures or as-long-as-you-press-the-button exposures are back with a vengeance. Of course there’s a standard tripod mount. Nice!

On the top there’s a hot shoe for an external flash, and we also have that notorious aperture switch. Just like the 120 version, it technically works, but both apertures are the same. Should make for easy modding I would hope. The lens barrel (if you want to call it that) has the same outer dimensions as the 120 version, so all accessories should fit like a glove. I love it when manufacturers do that!

The Inside

This is how the vignetting is created: there's a translucent cut-out mask 1cm behind the lens

This is how the vignetting is created: there's a translucent cut-out mask 1cm behind the lens

Under the hood, things look a bit different. The film winds from left to right, like on standard 35mm cameras. However, it unwinds counterclockwise (as determined by the cartridge), and winds into the camera clockwise. I’ve not seen that before! It’s a great idea though, because it makes the film less curly when you come to handle it for processing or scanning. If this is in fact the reason behind it, who knows.

Tha back pops open by lifting the film rewind knob. You wind the film with a wheel at the top right, like on a disposable. Film transport is done by a sprocket next to the film chamber, and a 1cm thick take up spool. All the components, like the rest of the camera, have a very sturdy feel to it.

If you look closely at the film chamber, you can see a translucent mask behind the lens that covers the corners – the responsible part for creating that great vignetting effect.

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{ 63 comments… read them below or add one }

Clare November 29, 2011 at 12:26 pm

Hi Jay,

Originally I was looking at the Diana F+ series but veered away due to price. Now I am stuck between the 135BC and the 135. I cannot decide whether the BC would be frustrating or not and is it possible for the size of the black corners to be changed or does that depend on the shot? (I apologise for complete lack of knowledge here!)

Your B+W shots are beautiful!

Thank you!

Clare

Reply

Jay Versluis November 29, 2011 at 1:23 pm

Hi Clare,

glad you like the b/w shots ;-) The only difference between the 135 and the 135BC is a small inset just behind the lens which creates the vignetting effect. It’s a slight cheat really but produces nice results. You can remove it by force so you can turn your 135BC into a standard 135 but this would probably break the inset so you can’t go back. You can’t change the size, unless you scrape corners from the inset mask off, thereby destroying it. You could add to it with gels but I’d say it’ll get messy quickly. I’d stay away from it.

From the pictures I’ve seen I’d recommend the 135BC though – the 135 shots almost look too clean for my liking. But that’s personal taste of course.

Hope this helps ;-)

Reply

Mela January 1, 2012 at 9:20 am

I have a big problem beacause I don’t know should I buy a Lomo La Sardina
or Holga 135bc with flash ???????

Reply

Jay Versluis January 2, 2012 at 10:55 pm

Tricky one… I’ve not tried the Sardina, but it looks fun. You’ll probably get the Holga 135BC for less than the Sardina, so if money is an issue then go with the Holga. Otherwise, buy both ;-P

Reply

Cecelia January 18, 2012 at 10:32 pm

Hi Jay,

I enjoyed reading your review! Just wondered how easy it is to change the film on the Holga 135 BC cameras (considering i have no experience so probably am not much use).

It will be my first Holga, if I purchase! – would you say this would be a good one to choose out of the 35mm cameras?

Thanks

Reply

Jay Versluis January 19, 2012 at 12:20 am

Hi Cecelia,

yes the 135BC is a great starter choice. Film cost is much lower than with 120 plus you can get digital scans from your films at mini labs without having to delve into the adventures of scanning your negatives. Putting film in is very straighforward: there’s a small mark on the right to which you pull the film, then wind the wheel, close the flap, do a couple of blank exposures and get snapping.

Let me know if you run into trouble, I’m sure I can give you a hint once it’s in front of you. Enjoy your Holga Adventures ;-)

Reply

Nicolas January 23, 2012 at 8:06 am

Hello Jay, have you ever tried the Diana Mini? I can’t decide between the Holga 135 and the Diana Mini :S

Reply

Jay Versluis January 31, 2012 at 9:48 am

That’s a difficult one, Nicolas. I would perhaps go with the Diana Mini and shoot the square format. It’s a bit smaller than the Holga 135 – it reminds me of the Holga 120.

Why not get both ;-)

Reply

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