Premiere Pro Archives

How to create a sequence with a custom aspect ratio in Premiere Pro

The other day I was stumped with what felt like an easy task: create a non-standard video in Premiere Pro, whose final output was supposed to be 1920×120. As wide as 1080p, but only a small strip in height. That should be simple, right? Well technically it is, but as it often happens, the official …

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Can a 1080p Timeline export 4K UHD in Premiere Pro?

I was asking myself this very same question. The obvious answer is YES of course, it really depends on the export settings. I had assumed of course that Premiere is clever enough to take the original resolution from whatever media is available, and do its rendering from that. Big mistake. Because it doesn’t do that!

While it is possible to pick a 4K or 4K UHD export preset, or even create your own, Premiere will up-scale your footage from 1080 to the desired resolution.

I’ve done some tests on this recently and can confirm that’s how Premiere works under the hood. If you want to get crisp 4K output from your edit, the timeline needs to be set to 4K or 4K UHD (depending on what aspect resolution you’re editing in).

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How to manually rebuild Media Cache Files in Premiere Pro

When you’ve been working with Premiere Pro for a while, importing large amounts of data and creating countless projects, there comes the time when you might want to clean up your Media Cache Database. It’s an exotic combination of various files that Premiere creates to make playback and scrolling during editing as fast as possible. …

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Adjusting Audio Peak Levels in Adobe Premiere Pro

When I delivered my previous audio book to ACX, I remember that one of their requirements was that the audio peak levels should come in at -3dB. I also remember that threw was a super easy way for me to do this in Premiere Pro, the software I use for editing my files. I wanted …

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How to duplicate an audio channel in Premiere Pro

I recently had a clip in which the audio was only present on a single channel. Trying to edit that in iMovie proved impossible, because iMovie doesn’t have a way to deal with single tracks of audio. So I thought, I’m sure Premiere can do that. The question was… how? It had occurred to me …

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Multi Camera Editing in Premiere Pro CS 5.5

Even my ageing version of Premiere Pro CS 5.5 has multi-camera editing capabilities built in. And even my ageing Mac Mini from 2012 can cope with full HD clips during those edits.

It’s a slightly mysterious process, and until very recently I didn’t quite know how to do it, but with my desire to do multi-camera interviews with inspirational people, it’s something wanted to research. This workflow is also helpful if you have a single camera feed and want to switch live (vision mixer style) to zoomed-in versions of the same.

Now I know how to do it (works fine in present versions of Premiere Pro too). Before I forget this concept again, I thought I’d better write it down and share it with you (and my future me).

In short, we need to

  • drag all camera clips into a timeline (all on top of each other)
  • sync all clips in this timeline (then select them all, right-click and choose “synchronise”)
  • create a new sequence from that sequence
  • enable multi camera on that clip
  • open the multi camera monitor, press play and switch live between cameras, creating edits on the fly

Jonathan Lang explains it here:

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How to render media with Alpha Channel in Premiere Pro

I made some new lower-third captions for my YouTube channel in Premiere the other day. I had a vision for some animations, and rather than spend several hundred dollars on pre-made snazzy clips, I thought I’d take on the task myself. 

For those to be usable on top of other video footage in my screen casting software (Camtasia Studio 3), I needed the animations to be rendered out with an Alpha Channel. That way a mask is automatically created, letting other programmes crop out everything around the titles.

Since I never had to do that before, I asked myself: How do we render a clip with an alpha channel in Premiere? 

After careful research, combined with some tireless trial and error, I found the solution to this puzzle – and here’s how to do it.

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How to export multiple timelines at once in Premiere

I recently had the need to encode several audio clips I had edited in Adobe Premiere Pro CS 5.5. That’s easy if you export one timeline at a time, by selecting the sequence, then click File – Export – Media

But this principle doesn’t work if you have several sequences that need to be exported. 

An article in the Adobe Forums suggests how to do this using After Effects as an intermediary, but it seemed very convoluted and a total hack. Besides, I don’t have After Effects so that’s not really a solution.

Convinced that there had to be a better way, I had a quick fiddle – and lucky for me I’ve discovered an easy workaround that I’ll share with you here. I’m using Premiere Pro CS 5.5, so I’m assuming it’ll work in later versions too.

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