iClone only shows a frame-code in the timeline by default, but that’s not helpful in all situations, especially when you’re switching between applications. If you need to make a 40 second clip in iClone, you’ll have to so some calculations we might not have mental energy for. Thankfully there is a (workaround sort of) way …
I was working on wrapping a character that had their mouth slightly open, and I didn’t have a controller to close it. Without a sculpting/modelling session, this would have been problematic to turn into a Genesis morph. Thankfully Faceform Wrap has an interesting node to close those lips using the Stick Contour feature. Here’s how …
I’m sure we’ve all been there: we want to adjust a property on our Substance material and realise, with some perplexion perhaps, that said channel doesn’t exist. Take this example in which we’re missing the opacity and the emission properties. What if my object needed one of those? How do we bring them in? This …
It took me a while to find the recipe for handsome looking creepy fog results in Unreal Engine with Ultra Dynamic Sky. Here’s how I did it, just so I can reproduce it next time I need it (section in brackets):
Some materials require static boolean inputs to apply effects. They’re easy to setup in base materials, but don’t translate into instances because they’re static. To give users the option to enable such booleans in material instances, we can use Switch Parameters. Here’s how to set them up on the base material: Instead of supplying the …
There is a neat way to turn static meshes into dynamic follower clothing in Unreal Engine! Since 5.3 there’s a Chaos Cloth plugin that ships with the engine, although it’s only really become usable in 5.4. It looks more complicated than it is, so let me walk you through the basic workflow in principle: Let’s …
Sometimes we may need to get rid of objects that clutter up our Blender scene. When it’s geometry that’s very easy to do: click on the object in the viewport or the outliner, the press X or delete and said object is gone. But what about unused textures, materials and material slots? Not so obvious …
In the latest release of Premiere Pro 2024, Adobe thought it would be a great idea to “refresh” the UI colours we see in the timeline and on labels. As a long term Premiere user of nearly 30 years, those innovations annoy the living daylight out of me. I’m all for updates, but they should …
Some Daz outfits use both a bump and a normal map to create handsome looking details in Daz Studio. Sadly though, by default the current Daz to Unreal bridge only transfers one or the other, which means we’re not getting the same details showing up after the transfer in Unreal Engine. The G9 Summer Bikini …
Sometimes we have morph that distorts all aspects of an object, but we only want to load it onto a small part of it. This is great for splitting a full morph into smaller parts to generate multiple sliders, but we don’t have all those changes as separate OBJs. While we can reset vertices from …
Sometimes we need objects to fade in and out in our animations, but sadly not every material lets us do this. Those that are designed with any kind of opacity in mind will already have a map plugged into the respective channel, and it’s easy to designate a scalar parameter with a multiply node and …
I’ve been experimenting with Groom Hair in Unreal Engine today, first time ever and I currently know almost nothing about it. Groom is UE’s strand-based hair system with real time physics we don’t have to setup from scratch, unlike those horrible cloth weight maps and collision shapes. Groom hair “just works” – I have no …
The latest version of Daz to Unreal supports geoshells (in beta)! That’s great news for objects and rely on them, because we can finally use those in Unreal Engine. Geoshells are a native Daz Studio feature, so they come in as a separate material on top of the figure they’re meant to be used with. …
Control Rigs are Unreal Engine’s “easy” way of letting us animate objects and characters in Sequencer. They allow us to create new and override existing animations directly on the timeline. These things are ever so slightly intimidating to set up, but if you know how they work, you’ll be able to animate any rigged object …
Anytime I need to change the value of a slider in Blender, it works fine when I use my mouse and it doesn’t work when I use any of my tablet devices. Why is that, shockingly terrible design perhaps? Or a simple tick box nobody tells you about? Perhaps a bit of both! Thankfully I’ve …
The windows in EPIC’s famous City Sample project are made with HDRIs and a snazzy parallax effect so that it appears there’s depth and geometry behind them. Some windows are illuminated, which is done by making those materials emissive. The default value works well for the daylight scene, but not so well for in night …
The famous City Sample project from The Matrix Awakened has a night mode feature players can switch to from the in-game mini menu. That’s no good though if you want to use the project for rendering scenes via Sequencer. Thankfully there’s an easy way to enable this, let me show you how. First, find BP_Nightmode …
I’ve just started watching An Introduction to Sculpting in Blender by Flipped Normals, which was available as part of a fantastic Humble Bundle this month. Henning has a lot of good tips, including tablet setup and frequently used brushes. Of course I forget these things every second of the day, and every time I open …
Ever since I’ve explained how to convert Genesis figure shapes between character generations in several videos, many of you have been asking the same question: How to we transfer the textures? Rather than typing a variation of the same answer out every time, I thought I’ll explain all the options in one handy article that …
I’ve recently bought an XP Pen Artist Pro 27″ and absolutely love it. It’s replaced my aging Wacom Intuos 4 from over 10 years ago and doubles as my Desktop’s main display. Most apps (aside from Blender) work out of the box, and changing what the pen needs to do works well with the included …
iClone has two concepts of parenting one object to another: Link and Attach. They’re slightly different. Attach is like traditional scene hierarchy parenting and good if you want to marry one object permanently to another (the parent moves, the child also moves). Linking is similar but can be animated for durations, so a bottle on …
A few versions ago Adobe have introduced this floaty little palette in Photoshop. It felt very out of place when I first used it, but might be potentially helpful – if only it wouldn’t constantly get in the way. It’s easy to disable with the three-little-dots menu on the right, whereupon it’ll just disappear and …
I had never created a morph in an external app for Character Creator before, but I managed to make it work after a few false starts. Just before that fleeting knowledge escapes me again, here’s how to do it. I’m comparing it to the Morph Loader dialogue in Daz Studio and will use comparable terminology …
RectLights are light objects that emit light from a plane. They’re great to emulate anything from neon strip lights to regular flat lights like spots or soft boxes. We can position and scale them uniformly, but we cannot scale them along one axis with the regular scale controls, but there some interesting settings under the …
It took me a while to figure out how to mute one or more audio tracks in Unreal Engine. Most documentation explains how to do this in Blueprints, but I was looking for a casual mute button that we get in Premiere. Sadly such an option doesn’t exist, but the next best thing is to …
Any object in iClone can be attached to a Motion Path, whose position in turn can be animated with a percentage slider on the Timeline. This can be used to make lights, cameras as well as characters follow a path. If we apply an in-place motion to the character, it appears as if said figure …
When we make adjustments to out custom characters’ heads, there comes the point where eye blinks might not work correctly anymore. Take this example, it’s really not a good look for my CC3+ model. Thankfully there’s an extremely helpful tool in Character Creator that makes fixing this (almost) a one-click affair. Take a look at …
To optimise real-time performance, Unreal Engine employs a number of tricks under the hood to make drawing images as fast as possible. One such trick is to replace objects on screen with lower-resolution versions as they are drawn further away from the camera. Those are called LODs (Levels of Detail) and although they’re great when …
If you copy and paste a layer, Photoshop will just create another layer. It essentially adds it to the current viewport. If we have something like a black and white image and want to use this to mask some off an existing layer, we need to view the layer mask first, then paste so that …
Faceform Wrap has quite a few tricks up its sleeve when it comes to matching one 3D shape to another. A while ago Brian and I were chatting about the possibility of converting clothing between different characters, and it turns out Wrap can do this thanks to its Lattice Node. I keep forgetting how to …