I just watched the above excellent one hour tutorial by Henning and Morten from FlippedNormals. It’s a great “getting (back) into ZBrush” tutorial that covers everything I keep forgetting when I give ZBrush a rest for longer than 6 months. Which is essentially every time I use it. While watching I took some notes so …
There appears to be an issue with the current version of DAZ Studio 4.15. With some hair products, when rendering with transparency (without a dome), hair strands appear sparky. It’s annoying enough on a wide shot, but even more so on a closeup. Take a look at the two versions of the image above and …
If you’ve ever made a custom character from existing morphs in DAZ Studio, you may find it easier to combine all those adjustments into a single slider. This makes it easier to use the character in new scenes without having to set it up again, and can cut down on the amount of morph product …
DMC files are used by Mimic and Lip Sync in DAZ Studio to make a figure move lips in response to an audio file. DMC stands for DAZ Mimic Configuration I believe, and each figure generation needs a specific file to make this work. Every figure including Genesis 3 had such a file in a …
By default, some keyframes in the DAZ Studio timeline just don’t show up. Morph dials and any other options that appear on the Parameters Tab are such culprits. We can see their effect, but not necessarily a corresponding keyframe. I’ve just found out how to make those values how up and thought I’d make a …
Sometimes it’s handy to have DAZ Studio render something in the background, while you’re working on the next scene in the foreground. Sadly that’s disallowed by design, even though it would be a super handy feature to have. Think how elegant the Poser Render Queue or Adobe’s Media Encoder implement such workflows. We’re busy people …
I’ve been playing with the new Genesis 8.1 figure in preparation for a project. Most things seem to be working OK, and as expected – including body morphs and may expression sliders. Something that did not show up was visemes. I use them quite often to create expressions, so they’re very important to me. I …
When you’re releasing a product for DAZ Studio, it’s a good idea to include instructions to give your users all the info they need to make the most out of your creation. You should also include a license that explains what users are allowed and not allowed to do with your product. This means you …
In this article I’ll explain how apply a Mixamo animation to a Genesis 8 (or 3) character, then export the animation to Marvelous Designer, animate a garment and bring it back into DAZ Studio for rendering. This will give us both the rendered character and the garment. There are so many steps to this process, …
The Slash and Spread tool can be used to add fullness to a garment. In the above image I’ve made a simple skirt from two squares (on the left), but after a few strokes with the Slash and Spread tool it looks much neater (on the right). Here’s a clip from when I discovered it, …
In this article I’ll show you the steps necessary to export an animation as OBJ Sequence from DAZ Studio. There’s a script floating around the DAZ Forums by an unknown author, but sadly it’s stopped working after version 4.12. While I haven’t found a way to fix that script, there’s a workaround by importing the …
I always forget how to do this: most viewports can be changed into full screen mode by hovering over a window and selecting CTRL + SPACE BAR. This works great for 3D and node views, less so for things like the timeline or the outliner.
I came across a mystery the other day. It had to do with sewing pockets in Marvelous Designer. I did this in a stream recently, and Christina was kind enough to give me some tips. One of the things that came up was Turned Sewing, and I found the principle a little hard to grasp. …
This morning I’ve noticed that my measuring tool had disappeared from the 3D toolbar in Marvelous Designer. I was using it only last week. I could still get to it using Avatar – Measurement, but the icon had gone. How do we bring it back? And why did this happen in the first place? Thankfully …
Let’s talk about pleats! This has to be THE most award winning unintuitive and confusing tool in Marvelous Designer. Let me tell you what I’ve worked out: There are two pieces to the Pleats Puzzle, and they can be used independantly or in conjunction. We have the pleats fold tool and the pleats sewing tool. …
Sometimes I forget the simplest things, the ones you think you don’t need to make a note of. It’s those very things that can trip you up sometime in the future when you forgot the very basics that only a month ago were so engrained in your brain. True story, it happened to me today. …
If you’ve ever tried to use the Dart Tool to create a dart on the outside of a pattern, you’ll have noticed that it doesn’t work as you would expect. That’s because that Dart Tool is only meant to be used to create darts on the inside of a pattern. To create a dart on …
I had to calculate the length of a vector recently, and had no idea where to begin. In my little farm/planting project, I’ve used Line Tracing to plant a vegetable on the floor. However, I needed a limitation as to where the player can plant things. They should not be allowed to plant directly underneath …
I’ve been able to import Marvelous Designer animations into Blender for rendering! Here’s a short video I’ve tweeted showing my inflatable boat in action: This is how we make it happen in principle. In Marvelous Designer: animate your garment export an OBJ from the first frame export the animation as MDD using the same settings …
Sometimes you might find that the body of the avatar is poking through the garment, and no matter how hard you try, it just doesn’t seem to go away. I’m assuming you’ve already tried lowering the particle distance on the garment and smoothed the avatar, and you still have small poke through artefacts. Perhaps try …
Normal Maps contain data rather than colour. Even though we can see something like an image, and it’s technically a picture, the RGB values of each pixel are not treated as visuals by the render engine. To use a Normal Map in Blender’s node editor, do the following: create a texture node and open the …
Node Wrangler has an easy shortcut that lets us setup selected maps as a node tree in Blender. In the Shading tab, press CTRL + SHIFT + T while hovered over the BSDF node and a file dialogue will appear. Navigate to the folder containing your maps, select each one you’d like to use using …
Unreal Engine has a nice feature that allows us to break a connect between nodes. Blender does too, I just never knew it existed. I had always assumed that deleting a node and re-creating it would be the only way. Turns out there’ a better way: To delete a connection between nodes, CTRL + Right-Click …
I’m having great fun with the City Park Environment in Unreal Engine. I picked it up the moment it was released and have never regretted the amount of time I spent with it. Having done so, I understand that it’s not easy to get started with it when you’re a novice. The set takes long …
I’ve imported a mesh model as FBX that was setup with an opacity map. Most of the simple material was created for me by Unreal Engine, but the opacity (transparency) texture was not imported. I had no idea how to do this, but figured it out. Here’s what it should look like and how it …
When internal lines intersect with an external one, there’s no intersecting point with said outside line by default. In the example below, the top line (in yellow) is still in one piece. Let me explain how we can create a split at this exact point. Select the line tool (Z) and select the outside line, …
During yesterday’s Twitch Stream, I’ve built a camera animation with the Urban Future 6 set in Unreal Engine. I was wondering how to show the camera full screen while I was positioning it and found out this morning. That’s what a good night’s sleep can do to you 🙂 I thought I’d share it with …
It appears that most Synty Polygon packs share the same skeleton. Therefore we can mix and match characters from various packs and use them in the same project, without the need to retarget our characters again. I’ve explained in a previous post how to retarget a Synty skeleton to the Unreal Skeleton, however if we …
I’m getting back into MD (and a little CLO too), but it’s been a while since I’ve looked at the app so I’ll have to re-acquaint myself with some of the basics. Tracing patterns from images is one such thing I’ve never quite mastered, not until watching Lori’s new MD course about version 9.5. Here’s …
Unreal Engine has a nice feature that lets us build distributables (packages) for Linux on a Windows system. It’s a magic known as Cross Compiling. This doesn’t work out of the box, but it’s easy to implement with any Windows version of Unreal Engine. It’s not exactly obvious how to get started with this magic …